The pianist's haunting conclusion is Denny Zeitlin's requiem "Quiet Now," another piece which captivated Evans and was a regular part of his live performances. Like the earlier album, Evans included only one original, the somewhat obscure ballad "Funny Man" co-written with Larry Coleman. His delightful romp through "Emily" (a piece which remained a part of his concert repertoire for the remainder of his life) and the angular approach to the standard "Yesterdays" are impressive. In 1966, he met bassist Eddie Gómez, with whom he worked for the next 11 years. While this latter recording isn't as adventurous or striking, it is no less essential for fans of the pianist. TIDAL is the first global music streaming service with high fidelity sound, hi-def video quality, along with expertly curated. In 1963, Evans recorded Conversations with Myself, a solo album produced with overdubbing technology. ![]() You get the feeling from comments Bill makes in the liner notes that he senses what hes doing is somewhat of a gimmick (he says his next effort will be a solo album), but it works well. Evans returned to do a follow-up session in 1967 titled Further Conversations with Myself, though this project consisted strictly of duo piano tracks, in which all seven performances were completed in a single session. This was Bill Evanss second solo outing where he overdubbed his playing with an additional track (previously he had used 2 tracks for a 3-piano effect). for sure and without any glaring flaws - but against some of the other stuff in the Bill Evans catalogue, his Conversations don’t quite stack up because they simply, for me, lack that magic touch of his you can’t define. ![]() Highlights include the inspired treatment of "'Round Midnight," the shimmering, beautiful setting of "Love Theme from Spartacus," the dirge-like "N.Y.C.'s No Lark" (an anagram of pianist Sonny Clark, who had recently died from a drug overdose) and the playful duet of Thelonious Monk's "Blue Monk." Two tracks that initially appeared on a separate anthology are also included. Conversations With Myself, an Album by Bill Evans. Unlike previous attempts by other artists, Evans truly is responding to what he hears on the initial performance and there are no dull tracks within this session. One of Bill Evans' first projects after signing with Verve in the early 1960s was his landmark album Conversations with Myself, in which the pianist laid down a basic track for each song and overdubbed two additional lines on top of it. Bill Evans - Further Conversations With Myself Releases Discogs Bill Evans Further Conversations With Myself More images Tracklist Credits (8) Acy R.
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